Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Bal au Moulin de la Galette oil painting


Bal au Moulin de la Galette
mk87 1876 Oil on canvas 131x175cm Paris,Musee d'orsay
Painting ID::  33968 		Pierre-Auguste Renoir
Bal au Moulin de la Galette
mk87 1876 Oil on canvas 131x175cm Paris,Musee d'orsay
   
   
     
Pierre-Auguste Renoir La Premiere Sortie oil painting


La Premiere Sortie
mk87 c.1876/77 Oil on canvas 65x49.5cm London,Tate Gallery
Painting ID::  33969 		Pierre-Auguste Renoir
La Premiere Sortie
mk87 c.1876/77 Oil on canvas 65x49.5cm London,Tate Gallery
   
   
     
Pierre-Auguste Renoir On the Terrace oil painting


On the Terrace
mk87 1881 Oil on canvas 100x80cm Chicago,The Art Institute of Chicago
Painting ID::  33970 		Pierre-Auguste Renoir
On the Terrace
mk87 1881 Oil on canvas 100x80cm Chicago,The Art Institute of Chicago
   
   
     
Pierre-Auguste Renoir Bather with Long Blonde oil painting


Bather with Long Blonde
mk87 Hair 1895 Oil on canvas 92.7x74.3cm Vienna,Kunsthistori-sches Museum
Painting ID::  33971 		Pierre-Auguste Renoir
Bather with Long Blonde
mk87 Hair 1895 Oil on canvas 92.7x74.3cm Vienna,Kunsthistori-sches Museum
   
   
     
Pierre-Auguste Renoir Regates a Argenteuil oil painting


Regates a Argenteuil
mk94 vers 1874
Painting ID::  34614 		Pierre-Auguste Renoir
Regates a Argenteuil
mk94 vers 1874
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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